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The time was to come sooner than either Taylor or Whitney expected. The Chief Engineer had been so busy familiarizing himself with all the details of the outside work that he had spent little time in the office and so had not often seen Bob. Not an activity, from the operation of the railway branch to the pouring of a new batch of concrete on the dam itself, had escaped his inspection. He wanted to know all the foremen of the different gangs, to size them up, and to gain their personal loyalty. The long experience he had had in bossing men, taught him that being human and approachable did not impair discipline. Besides, in times of emergency, the men could be more counted on. It was about this period that Vincent was seized with a disorder which increased so rapidly, as in a short time to assume the most alarming appearance. Despairing of life, he desired that a messenger might be dispatched to inform the marquis of his situation, and to signify his earnest wish to see him before he died. The progress of his disorder defied every art of medicine, and his visible distress of mind seemed to accelerate his fate. Perceiving his last hour approaching, he requested to have a confessor. The confessor was shut up with him a considerable time, and he had already received extreme unction, when Madame de Menon was summoned to his bedside. The hand of death was now upon him, cold damps hung upon his brows, and he, with difficulty, raised his heavy eyes to madame as she entered the apartment. He beckoned her towards him, and desiring that no person might be permitted to enter the room, was for a few moments silent. His mind appeared to labour under oppressive remembrances; he made several attempts to speak, but either resolution or strength failed him. At length, giving madame a look of unutterable anguish, 'Alas, madam,' said he, 'Heaven grants not the prayer of such a wretch as I am. I must expire long before the marquis can arrive. Since I shall see him no more, I would impart to you a secret which lies heavy at my heart, and which makes my last moments dreadful, as they are without hope.' 'Be comforted,' said madame, who was affected by the energy of his manner, 'we are taught to believe that forgiveness is never denied to sincere repentance.' 'You, madam, are ignorant of the enormity of my crime, and of the secret—the horrid secret which labours at my breast. My guilt is beyond remedy in this world, and I fear will be without pardon in the next; I therefore hope little from confession even to a priest. Yet some good it is still in my power to do; let me disclose to you that secret which is so mysteriously connected with the southern apartments of this castle.'—'What of them!' exclaimed madame, with impatience. Vincent returned no answer; exhausted by the effort of speaking, he had fainted. Madame rung for assistance, and by proper applications, his senses were recalled. He was, however, entirely speechless, and in this state he remained till he expired, which was about an hour after he had conversed with madame. “All right,” was all he said. “But let’s find the mouth of the tunnel. Hustle up with the grub.”.
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The last verse was repeated in loud chorus. The duke listened with astonishment! Such social merriment amid a scene of such savage wildness, appeared more like enchantment than reality. He would not have hesitated to pronounce this a party of banditti, had not the delicacy of expression preserved in the song appeared unattainable by men of their class. There was silence for a moment and then Bob asked quietly. "Some years since" said Thackeray in a public speech, "when I was younger, and used to frequent jolly assemblies, I wrote a Bacchanalian song to be chanted after dinner;" and a contemporary record has preserved a note of "the radiant gratification of his face whilst Horace Mayhew sang The Mahogany Tree, perhaps the finest and most soul-stirring of Thackeray's social songs." Conversation may be divided into two classes—the familiar and the sentimental. It is the province of the familiar, to diffuse cheerfulness and ease—to open the heart of man to man, and to beam a temperate sunshine upon the mind.—Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which Madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting case, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes,—the sensibilities expand—and wit, guided by delicacy and embellished by taste—points to the heart..
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